Intellectual Property Office Consultation: Difference between revisions
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This page contains what we're submitting to the 2012 Intellectual Property Office Consultation | This page contains what we're thinking of submitting to the 2012 Intellectual Property Office Consultation | ||
http://www.ipo.gov.uk/consult-2011-copyright | |||
See also: [[Copyright consultation]] from 2009 | See also: [[Copyright consultation]] from 2009 | ||
Suggestions from Tom Morris: | |||
I'm thinking of sending in a few answers to a few of the questions | |||
asked, but I'm wondering if there is any interested in rapidly | |||
producing a WMUK response. The closing date is tomorrow, so if there | |||
is any interest, we'd need to act super fast. | |||
I'd suggest broadly the issues that are probably of direct interest to | |||
Wikimedia are as follows: | |||
1. On orphan works, making the case for much older orphan works to go | |||
out of copyright rather than entering "orphan limbo". The proposed | |||
commercially-reusable orphan limbo is fine for commercial reusers like | |||
broadcasters or newspapers: it just means they have to do some due | |||
diligence and they can then use orphan works, safe in the knowledge | |||
that if the owner actually does turn up, they can pay market rate for | |||
it. | |||
2. Also on orphan works, pointing out that "non-commercial" exceptions | |||
aren't actually that useful, as the moral intuition they are trying to | |||
tap into doesn't actually fall along the non-commercial vs. commercial | |||
line but along the acting for the common good vs. private profiteering | |||
line, and there are commercial uses that are for the common good (for | |||
instance, the Internet Archive might send out a book van charging 50p | |||
a copy for on-demand printed books. Commercial use, it could | |||
potentially turn a profit, although hardly one that's going to make | |||
Brewster Kahle into Bill Gates.) | |||
3. On extended collective licensing and collecting societies, we | |||
should probably make clear what position, say, photographers or | |||
musicians who produce CC works for use in Wikimedia projects are in. | |||
And how Wikimedia works would fit in with a collective licensing | |||
situation: if someone were to take a photo of mine from Commons that's | |||
under CC BY SA, and uses it outside of the terms of the license, | |||
should they be able to pay for it through a collective licensing | |||
arrangement or through a collecting society? Part of the point of CC | |||
BY SA and free culture is to encourage people to use the works under | |||
the terms of the license. | |||
4. On the exceptions to copyright, it seems there's a pretty | |||
uncontroversial Wikimedian take on most of them. Specifically of | |||
interest I'd say would be the "Use of works for quotation and | |||
reporting current events", which is something that Wikinewsies (and | |||
people who write Wikipedia articles about current affairs) would find | |||
useful. And I'd say the public administration thing we should probably | |||
support too: it seems reasonable to think that Wikimedia might want to | |||
host rights-cleared work from the UK government that are under | |||
discussion in there. |
Revision as of 16:01, 20 March 2012
This page contains what we're thinking of submitting to the 2012 Intellectual Property Office Consultation
http://www.ipo.gov.uk/consult-2011-copyright
See also: Copyright consultation from 2009
Suggestions from Tom Morris:
I'm thinking of sending in a few answers to a few of the questions
asked, but I'm wondering if there is any interested in rapidly
producing a WMUK response. The closing date is tomorrow, so if there
is any interest, we'd need to act super fast.
I'd suggest broadly the issues that are probably of direct interest to Wikimedia are as follows:
1. On orphan works, making the case for much older orphan works to go
out of copyright rather than entering "orphan limbo". The proposed
commercially-reusable orphan limbo is fine for commercial reusers like
broadcasters or newspapers: it just means they have to do some due
diligence and they can then use orphan works, safe in the knowledge
that if the owner actually does turn up, they can pay market rate for
it.
2. Also on orphan works, pointing out that "non-commercial" exceptions
aren't actually that useful, as the moral intuition they are trying to
tap into doesn't actually fall along the non-commercial vs. commercial
line but along the acting for the common good vs. private profiteering
line, and there are commercial uses that are for the common good (for
instance, the Internet Archive might send out a book van charging 50p
a copy for on-demand printed books. Commercial use, it could
potentially turn a profit, although hardly one that's going to make
Brewster Kahle into Bill Gates.)
3. On extended collective licensing and collecting societies, we
should probably make clear what position, say, photographers or
musicians who produce CC works for use in Wikimedia projects are in.
And how Wikimedia works would fit in with a collective licensing
situation: if someone were to take a photo of mine from Commons that's
under CC BY SA, and uses it outside of the terms of the license,
should they be able to pay for it through a collective licensing
arrangement or through a collecting society? Part of the point of CC
BY SA and free culture is to encourage people to use the works under
the terms of the license.
4. On the exceptions to copyright, it seems there's a pretty
uncontroversial Wikimedian take on most of them. Specifically of
interest I'd say would be the "Use of works for quotation and
reporting current events", which is something that Wikinewsies (and
people who write Wikipedia articles about current affairs) would find
useful. And I'd say the public administration thing we should probably
support too: it seems reasonable to think that Wikimedia might want to
host rights-cleared work from the UK government that are under
discussion in there.